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1999 MTV Video Music Awards

The 1999 MTV Video Music Awards ceremony, an event that somehow managed to feel both momentous and utterly forgettable, unfolded on Thursday, September 9, 1999. It was a date that, for reasons lost to the sands of time or perhaps just the relentless churn of pop culture, was informally dubbed the "9/9/9 9 MTV Video Music Awards." The venue chosen for this spectacle of manufactured excitement was the hallowed halls of the Metropolitan Opera House, nestled within the cultural bastion of New York City. This particular iteration of the awards aimed to celebrate the music videos that had managed to capture eyeballs and airwaves between June 13, 1998, and June 11, 1999. One might wonder if the universe was trying to send a message with that date. Probably not.

The unenviable task of corralling the assembled egos and musical talent fell to comedian Chris Rock, a man whose comedic sensibilities were often as sharp as they were divisive. Overseeing the production were Salli Frattini and Dave Sirulnick, while the directorial reins were held by Beth McCarthy. This event was, of course, a successor to the 1998 MTV Video Music Awards and a harbinger of the 2000 MTV Video Music Awards.

The night belonged, undeniably, to Lauryn Hill. She swept the awards, amassing a grand total of four trophies, a feat that solidified her dominance in the music video landscape of that year. Her triumph was particularly significant as her video for "Doo Wop (That Thing)" snagged the coveted Video of the Year award, marking a watershed moment: the first hip-hop video to achieve this honor. It’s almost as if the academy finally realized that rhythm and poetry could translate to visual artistry. Almost.

Ricky Martin, a force of nature in a sequined shirt, was another major player, raking in nine nominations and ultimately securing two competitive awards for his undeniably catchy "Livin’ la Vida Loca". These included Best Pop Video and Best Dance Video. Beyond the competitive realm, he also snagged three International Viewer's Choice Awards, a testament to his global appeal. One has to admire the sheer, unadulterated energy he brought. It was either infectious or exhausting, depending on your tolerance for such exuberance.

Other artists who managed to walk away with hardware, or at least nominations that suggested they were noticed, included the perpetually grim Korn, the ever-stylish TLC, and the provocative Eminem. Their presence, and indeed the nominations themselves, painted a picture of a music scene in transition, a landscape where genres blurred and artists pushed boundaries, sometimes successfully, sometimes… less so.

The ceremony was not without its moments of pure, unadulterated spectacle, the kind that lingers in the collective memory like a bad pop song. Diana Ross, in a move that was either bold or simply bizarre, jiggled Lil' Kim's exposed breast. Lil' Kim’s outfit, it should be noted, left her entire left breast uncovered save for a strategically placed pastie. It was a moment that defied explanation, a sartorial and social statement that left many scratching their heads.

In a more poignant display, the mothers of two of hip-hop’s most tragically lost figures, Tupac Shakur and The Notorious B.I.G., Afeni Shakur and Voletta Wallace, shared the stage to present the Best Rap Video Award. Their presence was a somber reminder of the violence that had shadowed the genre, a stark contrast to the glitz and glamour surrounding them.

Adam Horovitz of the Beastie Boys used his platform to issue a plea for peace, a direct response to the disturbing sexual assaults that had marred Woodstock '99. It was a moment of unexpected gravitas in an evening designed for superficial celebration.

And then there was the tribute to Madonna. As the artist with the most VMA nominations in history, she was honored with a parade of male drag performers, each mimicking her iconic looks from various music videos. It was a visual feast, a celebration of an artist who had consistently reinvented herself and redefined the visual language of music.

The night was also marked by a notable no-show: DMX. His absence led to an extended solo set by Jay-Z, a turn of events that likely delighted some and inconvenienced others.

The debut of Britney Spears performing her now-iconic single "...Baby One More Time" was another defining moment. It was the arrival of a new pop princess, a harbinger of the teen pop explosion that would soon dominate the charts. Shortly after, NSYNC took the stage to perform "Tearin' Up My Heart", further cementing the dominance of boy bands.

As the Backstreet Boys ascended to accept their Viewer's Choice award, a decidedly uninvited guest, John Del Signore, ambled onto the stage. His pronouncement, "Wake up at 3," was a bizarre interlude, later revealed as an attempt to pitch a show idea to Viacom. It was a glitch in the matrix, a reminder that even in the meticulously planned world of awards shows, chaos can find a way in.

The ceremony was also strategically interwoven with promotional efforts, most notably with SEGA, as the very date of the awards show coincided with the launch of their highly anticipated Dreamcast game console. It was a synergy of entertainment and technology, a sign of the times.

Background

The decision to host the 1999 VMAs at the Metropolitan Opera House in New York City came after an exhaustive scouting process that considered locations in both New York and Los Angeles. The opera house was chosen, in part, because MTV's usual New York haunt, Radio City Music Hall, was undergoing renovations. The announcement of Chris Rock as host was made on June 30, a move that promised a night of sharp wit and perhaps a few uncomfortable truths. Nominations were unveiled on July 28 at a press conference held at Lincoln Center, with Rock, Carson Daly, and Ricky Martin sharing hosting duties. For the first time, the VMAs were preceded by a week-long "VMA Week" on Total Request Live, a programming block that would become an annual tradition until the show's cancellation in 2008. The broadcast itself was kicked off by the "1999 MTV Video Music Awards Opening Act," a pre-show event hosted by Kurt Loder and Serena Altschul. This pre-show featured red carpet interviews, a pre-taped chat with Trent Reznor, segments on Britney Spears' fashion choices, and vocal tests involving shattering glass. Musical performances during the opening act came from Smash Mouth and Blink-182.

Performances

The main event, and the preceding appetizer, featured a diverse lineup of musical acts.

Pre-show

Main show

The main ceremony offered a more ambitious array of performances:

Presenters

The awards were handed out by a constellation of stars, each adding their own brand of gravitas or, at times, sheer bewildering presence.

Pre-show

  • Chris Connelly and Ananda Lewis handled the announcement of winners in the professional categories and presented the award for Best R&B Video.

Main show

Winners and Nominees

The night saw a flurry of awards distributed, with winners highlighted in bold.

Video of the Year

Best Male Video

Best Female Video

Best Group Video

Best New Artist in a Video

Best Pop Video

Best Rock Video

Best R&B Video

Best Rap Video

Best Hip-Hop Video

Best Dance Video

Best Video from a Film

Breakthrough Video

Best Direction in a Video

Best Choreography in a Video

Best Special Effects in a Video

Best Art Direction in a Video

Best Editing in a Video

Best Cinematography in a Video

Best Artist Website

Viewer's Choice

International Viewer's Choice: MTV Australia

International Viewer's Choice: MTV Brasil

International Viewer's Choice: MTV India

International Viewer's Choice: MTV Korea

International Viewer's Choice: MTV Latin America (North)

International Viewer's Choice: MTV Latin America (South)

International Viewer's Choice: MTV Mandarin

International Viewer's Choice: MTV Russia

International Viewer's Choice: MTV Southeast Asia

Artists with multiple wins and nominations

It’s always instructive to see who the industry, or at least the voters, deemed worthy of repeated attention.

Artists who received multiple awards

  • 5 Wins: Ricky Martin - A clear favorite, his success was a global phenomenon.
  • 4 Wins: Lauryn Hill - Cemented her legacy with a dominant performance.
  • 3 Wins: Fatboy Slim - Proof that a catchy beat and a quirky video could go a long way.
  • 2 Wins: Korn - Demonstrated their enduring appeal in the rock and alternative scenes.

Artists who received multiple nominations

See also

For those who find this particular awards ceremony insufficient, or perhaps too much, one might also consult the 1999 MTV Europe Music Awards for a different flavor of musical accolades.