- 1. Overview
- 2. Etymology
- 3. Cultural Impact
For Olympic medal tables by country, see All-time Olympic Games medal table . For Olympic medal records by athlete, see Lists of Olympic medalists .
Olympic Medals
An Olympic medal is the tangible reward bestowed upon those who achieve athletic excellence at one of the Olympic Games . These medals represent the pinnacle of sporting achievement, signifying dedication, skill, and perseverance. There are three distinct classes of medals: gold , awarded to the first-place finisher; silver , for the second-place competitor; and bronze , recognizing the third-place athlete. The specific protocols governing the awarding of these prestigious honors are meticulously detailed within the Olympic charter.
The aesthetic evolution of Olympic medals has been as dynamic as the Games themselves, with designs undergoing significant transformations since their inception at the first modern Olympic Games in 1896. A notable shift occurred with the design chosen for the 1928 Games , which maintained its prominence until it was supplanted at the 2004 Games in Athens . This particular redesign saw the inclusion of the Colosseum , a symbol of Roman grandeur, replaced by the Panathenaic Stadium , a more historically resonant choice befitting the Olympic spirit and its Greek origins. [1] The medals for the Winter Olympic Games , on the other hand, have never adhered to a singular, unified design. Instead, they have consistently incorporated thematic elements such as snowflakes and imagery related to the specific sport in which the medal was earned, allowing for a greater diversity in their artistic expression.
Beyond the intrinsic value of the award, many nations extend their support to Olympic medalists by offering financial incentives and other forms of recognition. These national tributes vary considerably, often depending on the color and number of medals secured by their athletes. For instance, in the 2024 Paris Games , a significant number of countries, 33 in total, had confirmed their intention to award prizes to their medal winners, with 15 of them pledging cash awards exceeding $100,000. [2] [3]
Introduction and Early History
The tradition of awarding a prize for victory at the Ancient Olympic Games was embodied by the simple yet profound olive wreath . This sacred garland was fashioned from a branch of the wild-olive tree, known scientifically as Olea oleaster , which grew abundantly near Olympia, Greece . [4] The branches were artfully intertwined to form a circular wreath. According to the ancient historian Pausanias , this tradition was initiated by Heracles himself, who presented it as a prize for the victor of the running race in honor of Zeus . [5]
With the revival of the Olympic Games in the modern era, commencing in 1896, the practice of awarding medals to successful competitors was instituted. However, it’s a curious historical footnote that gold medals were conspicuously absent from the medal haul at the inaugural modern Olympics in 1896 held in Athens , Greece. [6] Instead, the champions of these first Games were presented with a silver medal accompanied by an olive branch, symbolizing peace and victory. [7] Those who achieved second place were honored with a laurel branch and a medal struck from bronze or copper. [8]
The 1900 Summer Olympics stand out as a unique chapter in Olympic medal history, being the sole occasion where rectangular medals were distributed. These distinctive awards were the creation of the artist Frédérique Vernon . [9] In specific disciplines such as shooting, lifesaving, automobile racing, and gymnastics, participants who secured first place were awarded gilt silver medals. [10] [11] For second-place finishes, silver medals were presented across a range of sports including shooting, rowing, yachting, tennis, gymnastics, sabre, fencing, equestrian events, and athletics. [12] Bronze medals, signifying third place, were awarded in gymnastics, firefighting, and shooting events. [13] [14] It is important to note that in many sports during these early Games, medals were not the primary form of award; cups and other trophies were often the preferred accolades. [15]
The now-ubiquitous sequence of gold , silver , and bronze medals for the top three positions in all events officially began at the 1904 Summer Olympics in St. Louis, Missouri , United States. The International Olympic Committee (IOC), in its capacity as the governing body, has since retroactively applied this gold, silver, and bronze classification to the athletes who finished in the top three positions at both the 1896 and 1900 Games. [16] [15] In instances where a tie occurs for any of the top three placements, the IOC’s regulations stipulate that all tied competitors are entitled to receive the corresponding medal. [17] Furthermore, in certain combat sports, such as boxing , judo , taekwondo , and wrestling , it is customary to award two bronze medals per competition. This practice inherently leads to a greater overall distribution of bronze medals compared to gold and silver.
Beyond the medals themselves, every athlete who achieves a ranking from first to eighth place is awarded an Olympic diploma , acknowledging their participation and performance. Additionally, a dedicated wall within the main host stadium is inscribed with the names of all medal winners, serving as a permanent record of their achievements. [17] As a final touch, all participating athletes, regardless of their final ranking, are presented with a participation medal and a diploma, ensuring that every individual who contributes to the Games is recognized.
Production and Design
The physical specifications and ultimate design of Olympic medals are subject to the strict dictates of the IOC, which reserves the final approval. These specifications are developed collaboratively with the National Olympic Committee (NOC) responsible for hosting the Games, although the IOC has established a set of non-negotiable rules. [17] [18] These rules outline:
- Recipients: The medals are designated for the top three competitors in each event.
- Shape: Medals are typically circular in form, equipped with an attachment point for a chain or ribbon.
- Diameter: A minimum diameter of 60 millimetres is mandated.
- Thickness: The minimum thickness requirement is 3 millimetres.
- Material Composition:
- First Place (Gold Medal): This medal must be composed of at least 92.5% silver and be plated with 6 grams of gold . In 2010, the intrinsic metal value of a gold medal was estimated to be around $494 US$ . [19] [20] By the time of the 2020 Summer Olympics held in 2021 in Tokyo , Japan, the approximate metal worth of a gold medal had risen to about $800. [21]
- Second Place (Silver Medal): This medal is made from 92.5% silver . [22] In 2010, its metal value was approximately $260 US$ . [19] At the Tokyo Games, the silver medal’s metal value was around $460. [21]
- Third Place (Bronze Medal): As of 2010, the bronze medal consisted of 97% copper , with 0.5% tin and 2.5% zinc , giving it a metal value of about $3 [US$]. [19] During the Tokyo Games, the composition was 95% copper and 5% zinc, with a metal value of approximately $5. [21]
- Event Details: The specific sport or discipline for which the medal has been awarded must be clearly inscribed on the medal.
The very first Olympic medals, presented at the 1896 Games, were designed by the acclaimed French sculptor Jules-Clément Chaplain . The obverse side featured Zeus holding Nike , the Greek goddess of victory, while the reverse depicted the iconic Acropolis . [6] These medals were minted by the Paris Mint , an institution that also undertook the production of the medals for the 1900 Olympic Games, which were hosted in Paris. This marked the commencement of a tradition where the responsibility for minting the medals was entrusted to the host city. For several subsequent Olympiads, the host city also held the prerogative of selecting the medal design. It is worth noting that until the 1912 Games, the gold medals were crafted from solid gold, a practice that would later change. [23]
Trionfo
The bronze medal from the 1980 Summer Olympics prominently displays the obverse design by Giuseppe Cassioli , which features Nike , the Greek goddess of victory.
In 1923, the International Olympic Committee (IOC) initiated a competition inviting sculptors to design the medals for the Summer Olympic Games . The winning design, submitted by Giuseppe Cassioli , was selected in 1928 and came to be known as Trionfo . [6] [24] [25] The obverse of this design placed Nike at the forefront, holding a victor’s crown and palm, with the Colosseum forming the backdrop. [24] A dedicated space was incorporated into the upper right section of the medal to denote the host city of the Olympic Games and the corresponding Games numeral.
The reverse side of Cassioli’s design depicted a jubilant crowd hoisting a triumphant athlete. This award-winning design made its debut at the 1928 Summer Olympics in Amsterdam . Interestingly, for the medals of the 1960 Games in Rome , the obverse and reverse designs were inverted, with the crowd appearing on the obverse and Nike gracing the reverse. [26] Cassioli’s design, in its adapted forms, continued to influence the obverse of Olympic medals for a considerable duration, spanning four decades, until the 1972 Summer Olympics in Munich introduced a novel design for the reverse side of the medal, marking a departure from the established convention. [6]
The obverse, inspired by Cassioli’s “Trionfo,” remained a consistent element, albeit with updated host city and Games numeral details, until the 1992 Summer Olympics in Barcelona , Spain. For these Games, the IOC permitted a modernized interpretation of the design. In the subsequent events, the IOC mandated the continued use of the Nike motif but allowed for modifications in other aspects of the design. [18]
This era concluded after the 2000 Summer Olympics in Sydney , largely due to a negative public reaction to the medal design. The original concept by designer Wojciech Pietranik had featured the Sydney Opera House on the obverse, replacing the traditional depiction of the Roman Colosseum . However, the International Olympic Committee insisted on the retention of the Colosseum. [27] Adding to the controversy, the Greek press voiced criticism, citing a lack of historical accuracy and ignorance of the birthplace of the Olympic Games, pointing out that the long-standing feature on the medals mistakenly depicted the Roman Colosseum instead of the Greek Parthenon . [6] [28] Despite these objections, the Sydney Organising Committee decided to proceed with the existing design, citing time constraints and cost implications for creating a new version. [18] After 76 years, a fresh design by artist Elena Votsi , which prominently featured the Panathenaic Stadium , was introduced at the 2004 Summer Olympics in Athens . [29] This revised obverse design has remained in continuous use since its introduction.
Custom Reverse Designs
The German Olympic Committee, known as the Nationales Olympisches Komitee für Deutschland , holds the distinction of being the first Summer Games organizing committee to elect to modify the reverse side of the medal. The design for the 1972 Games was conceived by Gerhard Marcks , an artist associated with the Bauhaus movement, and it depicted the mythological twins Castor and Pollux . [30] Since that time, the organizing committee of each host city has been granted the creative freedom to design the reverse of the medal, subject, of course, to the final approval of the IOC.
Comparison Between Summer and Winter
The IOC exercises ultimate authority over the specifications of every Olympic medal design, encompassing not only the Summer Games but also the Winter Games , Summer Paralympic Games , and Winter Paralympic Games . The Winter Games have historically exhibited a more pronounced diversity in medal design applications. Unlike the Summer Games, the IOC has never imposed a single, standardized design for the Winter medals. The medal awarded at the inaugural 1924 Winter Olympics in Chamonix , France, notably, did not even feature the iconic Olympic rings . While Nike was depicted on the medals for the 1932 and 1936 Games, its appearance became infrequent thereafter, surfacing on only one subsequent medal design. A recurring motif in Winter Games medals is the snowflake, alongside various depictions of laurel leaves and crowns. The Olympic motto, Citius, Altius, Fortius (Faster, Higher, Stronger), has been incorporated into four Winter Games medal designs, but it has never graced any Summer Games medal.
For three consecutive Winter Games, host nations experimented with integrating distinct materials into their medals: glass in 1992, sparagmite in 1994, and lacquer in 1998. It wasn’t until the 2008 Summer Olympics in Beijing , China, that a Summer Olympic host city opted to utilize a non-traditional material, choosing jade for its medals. While nearly all Summer Olympic medals, with the notable exception of those from the 1900 Games, have been circular, the shapes of Winter Games medals have demonstrated considerably more variation. Generally, the designs for Winter Games medals tend to be larger, thicker, and heavier than their Summer counterparts.
Individual Design Details
Summer Olympic Medal Designs
Detailed information regarding the medals from each of the Summer Olympic Games: [30] [31]
| Games | Host | Details | Designer(s) | Mint | Diameter (mm) | Thickness (mm) | Weight (g) | Image ### Olympic Medals
An Olympic medal is awarded to successful competitors in various Olympic Sports competitions at one of the Olympic Games . These medals are the ultimate symbol of athletic achievement, representing dedication, skill, and the pursuit of excellence. There are three distinct types of medals awarded: gold , silver , and bronze , designated for the first, second, and third place finishers, respectively. The precise criteria and procedures for the awarding of these prestigious accolades are thoroughly outlined in the official Olympic protocols.
The designs of Olympic medals have undergone considerable variation since the inaugural Games in 1896, with notable changes in their size and aesthetic particularly for the Summer Olympic Games . The design that was selected for the 1928 Games remained in use for an extended period, only being replaced at the 2004 Games held in Athens . This redesign marked a significant symbolic shift, moving away from the depiction of the Roman Colosseum to the more fitting Greek Panathenaic Stadium , thereby better representing the ancient roots and enduring values of the Olympic movement. [1] In contrast, the medals for the Winter Olympic Games have never followed a single, uniform design. They have, however, consistently featured thematic elements such as snowflakes and imagery directly related to the specific sport in which the medal was won, allowing for a broader artistic interpretation across different Games.
In addition to the inherent prestige of winning an Olympic medal, many countries offer financial rewards and other incentives to their medal-winning athletes. These national bonuses can vary significantly, often depending on the color and quantity of medals achieved. For instance, leading up to the 2024 Paris Games , it was confirmed that 33 countries would be providing prizes to their medalists, with 15 of these nations pledging cash awards exceeding $100,000. [2] [3]
Introduction and Early History
The tradition of awarding a prize to the victors at the Ancient Olympic Games was embodied by the olive wreath . This sacred garland was crafted from a branch of the wild-olive tree, scientifically known as Olea oleaster , which grew in abundance near Olympia, Greece . [4] The branches were carefully intertwined to form a circular wreath. According to the ancient historian Pausanias , this tradition was established by Heracles , who presented it as a prize for the winner of the running race in honor of Zeus . [5]
When the modern Olympic Games commenced in 1896, medals began to be awarded to successful competitors. However, it is a notable historical fact that gold medals were not presented at the inaugural Olympics in 1896 in Athens , Greece. [6] Instead, the winners of the first modern Games received a silver medal along with an olive branch, symbolizing peace and victory. [7] Those who secured second place were honored with a laurel branch and a medal made of copper or bronze . [8]
A silver medal from the 1900 Summer Olympics , designed by Frédérique Vernon .
The 1900 Summer Olympics holds a unique place in Olympic history as the only Games to feature rectangular medals, designed by Frédérique Vernon . [9] In certain sports, such as shooting, lifesaving, automobile racing, and gymnastics, gilt silver medals were awarded to the first-place finishers. [10] [11] Second-place silver medals were distributed in shooting, rowing, yachting, tennis, gymnastics, sabre, fencing, equestrian events, and athletics. [12] Bronze medals, recognizing third place, were awarded in gymnastics, firefighting, and shooting. [13] [14] It is important to note that in many sports during these Games, medals were not the primary form of award, with cups and other trophies often being presented instead. [15]
The convention of awarding gold , silver , and bronze medals for the first three places in all events dates back to the 1904 Summer Olympics held in St. Louis, Missouri , in the United States . The International Olympic Committee (IOC), the governing body of the Olympic movement, has since retroactively assigned gold, silver, and bronze medals to the athletes who achieved the top three positions in each event at the 1896 and 1900 Games. [16] [15] In cases of a tie for any of the top three places, all competitors involved are entitled to receive the appropriate medal according to IOC regulations. [17] Additionally, in some combat sports, such as boxing , judo , taekwondo , and wrestling , two bronze medals are awarded per competition. This practice results in a higher overall number of bronze medals being distributed compared to gold and silver.
Medals are not the sole form of recognition for competitors; every athlete who finishes in a position from first to eighth is awarded an Olympic diploma . Furthermore, at the main host stadium, the names of all medal winners are permanently inscribed on a wall, serving as a lasting tribute to their achievements. [17] As previously mentioned, all athletes are also presented with a participation medal and diploma, acknowledging their involvement in the Games.
Production and Design
A collection of medals won by Polish athletes, displayed at the Museum of Sport and Tourism in Warsaw .
The IOC holds the ultimate authority over the physical specifications of the medals and has the final say on the completed design. These specifications are developed in conjunction with the National Olympic Committee (NOC) that is hosting the Games, although the IOC has established several key rules that must be adhered to: [17] [18]
- Recipients: The top three competitors in each event are awarded medals.
- Shape: Medals are typically circular, featuring an attachment point for a chain or ribbon.
- Diameter: A minimum diameter of 60 millimetres is required.
- Thickness: The minimum thickness specified is 3 millimetres.
- Material:
- First place (the gold medal): This medal must contain at least 92.5% silver and be plated with 6 grams of gold . In 2010, the intrinsic metal value of such a medal was approximately US$ 494. [19] [20] By the time of the 2020 Summer Olympics in 2021, the medal’s value at contemporary prices was estimated to be around $800. [21]
- Second place (the silver medal): This medal is composed of 92.5% silver. [22] In 2010, its metal value was approximately US$ 260. [19] During the Tokyo Games, its value was around $460. [21]
- Third place (the bronze medal): In 2010, the bronze medal was made of 97% copper , 0.5% tin , and 2.5% zinc , with a metal value of approximately US$ 3. [19] At the Tokyo Games, it consisted of 95% copper and 5% zinc, with a metal value of about $5. [21]
- Event Details: The sport for which the medal has been awarded must be clearly indicated on the medal.
The initial Olympic medals in 1896 were designed by the French sculptor Jules-Clément Chaplain . The obverse depicted Zeus holding Nike , the Greek goddess of victory, while the reverse featured the Acropolis . [6] These medals were produced by the Paris Mint , which also manufactured the medals for the 1900 Olympic Games hosted in Paris. This marked the beginning of the tradition where the responsibility for minting the medals was entrusted to the host city. For several subsequent Olympiads, the host city also had the authority to select the medal design. It is noteworthy that until the 1912 Games, gold medals were made of solid gold, a practice that was later discontinued. [23]
Trionfo
The bronze medal from the 1980 Summer Olympics , showcasing the obverse design by Cassioli, which depicts Nike , the Greek goddess of victory.
In 1923, the International Olympic Committee (IOC) launched a competition for sculptors to design the medals for the Summer Olympic Games . The winning design, created by Giuseppe Cassioli , was chosen in 1928 and became known as Trionfo . [6] [24] [25] The obverse of this design prominently featured Nike, holding a winner’s crown and palm, with the Colosseum in the background. [24] A designated area in the upper right section of the medal was included for the name of the Olympic host city and the Games numeral.
The reverse side of Cassioli’s design depicted a crowd carrying a triumphant athlete. This design was first presented at the 1928 Summer Olympics in Amsterdam . For the 1960 Games in Rome , the medal designs were inverted, with the obverse featuring the crowd and the reverse featuring Nike. [26] This design served as inspiration for the obverse of Olympic medals for 40 years, until the 1972 Summer Olympics in Munich introduced a new design for the reverse side of the medal, marking the first time this aspect was changed since 1928. [6]
Cassioli’s design continued to inspire the obverse of the medal for many subsequent Games, with each iteration featuring updated host city and numeral details. The obverse remained faithful to the Trionfo design until the 1992 Summer Olympics in Barcelona , Spain, when the IOC permitted an updated interpretation. For the following few events, the IOC mandated the use of the Nike motif but allowed for variations in other design elements. [18]
This trend shifted after the 2000 Summer Olympics in Sydney , following a negative reaction to the medal design. The designer, Wojciech Pietranik , had initially planned to feature the Sydney Opera House on the obverse instead of the traditional Roman Colosseum . However, the International Olympic Committee decided that the Colosseum should be retained. [27] The Greek press criticized the design, arguing it showed ignorance of the birthplace of the Olympic Games and mistakenly depicted the Roman Colosseum instead of the Greek Parthenon . [6] [28] The Sydney Organising Committee ultimately decided to proceed with the design as it was, citing insufficient time and prohibitive costs to create a new version. [18] After 76 years, a new design by artist Elena Votsi , featuring the Panathenaic Stadium , was introduced at the 2004 Summer Olympics in Athens . [29] This new obverse design has remained in use since its introduction.
Custom Reverse Designs
The German Olympic Committee, Nationales Olympisches Komitee für Deutschland , was the first Summer Games organizing body to opt for a change in the reverse design of the medal. The 1972 design, created by artist Gerhard Marcks of the Bauhaus school, depicted the mythological twins Castor and Pollux . [30] Since then, the organizing committee of the host city has been granted the freedom to design the reverse of the medal, with the IOC providing final approval.
Comparison Between Summer and Winter
The IOC holds the final decision-making power regarding the specifications for all Olympic medal designs, including those for the Summer Games, Winter Games , Summer Paralympic Games , and Winter Paralympic Games . A greater variety in design application has been observed for the Winter Games; unlike the Summer Games, the IOC has never mandated a single, common design. The medal at the inaugural 1924 Winter Olympics in Chamonix , France, did not even feature the Olympic rings . While Nike was present on the medals of the 1932 and 1936 Games, it has appeared on only one subsequent medal design. A recurring motif in Winter Games medals is the snowflake, and laurel leaves and crowns also feature on several designs. The Olympic motto Citius, Altius, Fortius is inscribed on four Winter Games medals, but it does not appear on any Summer Games medal.
For three consecutive Winter Games, host nations incorporated different materials into their medals: glass in 1992, sparagmite in 1994, and lacquer in 1998. It was not until the 2008 Summer Olympics in Beijing , China, that a Summer Olympic host chose to use a different material, specifically jade . While virtually all Summer Olympic medals, with the exception of those from the 1900 Games, have been circular, the shapes of Winter Games medals have been considerably more varied. The designs for Winter Games medals are also generally larger, thicker, and heavier than those intended for the Summer Games.
Individual Design Details
Summer Olympic Medal Designs
Detailed information concerning the medals from each of the Summer Olympic Games: [30] [31]
| Games | Host | Details | Designer(s) | Mint | Diameter (mm) | Thickness (mm) | Weight (g) |
|---|---|---|---|---|---|---|---|
| 1896 | Athens , Greece | Obverse: Zeus
holding Nike Reverse: The Acropolis of Athens | Jules-Clément Chaplain | Paris Mint | 48 | 3.8 | 047 |
| 1900 | Paris , France | Obverse: Winged goddess (possibly Nike
) holding laurel branches; Paris in the background Reverse: A victorious athlete holding a laurel branch; the Acropolis in the background Note: The only Summer Olympic medal that is not circular | Frédérique Vernon | Paris Mint | 59 x 41 | 3.2 | 053 |
| 1904 | St. Louis , Missouri, U.S. | Obverse: Nike holding a laurel crown and a palm leaf Reverse: An athlete holding a laurel crown; Greek temple in the background | Dieges & Clust | Dieges & Clust | 37.8 | 3.5 | 021 |
| 1908 | London , Great Britain | Obverse: An athlete receiving a laurel crown from two female figures Reverse: Saint George atop a horse Edge: “Vaughton”, event name and winner | Bertram Mackennal | Vaughton & Sons | 33 | 4.4 | 021 |
| 1912 | Stockholm , Sweden | Obverse: An athlete receiving a laurel crown from two female figures Reverse: A herald opening the Games with a statue of Pehr Henrik Ling behind him | Bertram Mackennal (obverse) Erik Lindberg (reverse) | C.C. Sporrong & Co | 33.4 | 1.5 | 024 |
| 1920 | Antwerp , Belgium | Obverse: An athlete holding a laurel crown and a palm leaf Reverse: Statue of Silvius Brabo Edge: Name, event, team, “Antwerp”, and the date | Josuë Dupon | Coosmans | 59 | 4.4 | 079 |
| 1924 | Paris , France | Obverse: An athlete helping another to stand Reverse: A harp and various items of sports equipment | André Rivaud | Paris Mint | 55 | 4.8 | 079 |
| 1928 | Amsterdam , Netherlands | Design: Trionfo Note: This obverse design, sometimes recreated, remains until 2004, the reverse design remained until 1972 | Giuseppe Cassioli | Dutch State Mint | 55 | 3 | 066 |
| 1932 | Los Angeles , California, U.S. | Design: Trionfo | Giuseppe Cassioli | Whitehead & Hoag | 55.3 | 5.7 | 096 |
| 1936 | Berlin , Germany | Design: Trionfo | Giuseppe Cassioli | B.H. Mayer | 55 | 5 | 071 |
| 1948 | London , Great Britain | Design: Trionfo | Giuseppe Cassioli | John Pinches | 51.4 | 5.1 | 060 |
| 1952 | Helsinki , Finland | Design: Trionfo Edge: 916 M / Y6 (Factory Stamp) | Giuseppe Cassioli | Kultakeskus Oy | 51 | 4.8 | 046.5 |
| 1956 | Melbourne , Australia | Design: Trionfo | Giuseppe Cassioli | K.G. Luke | 51 | 4.8 | 068 |
| 1960 | Rome , Italy | Design: Trionfo Surround: A bronze laurel wreath and laurel leaf chain (The Rome games were the first to place the medal around the athletes neck) | Giuseppe Cassioli | Artistice Fiorentini | 68 | 6.5 | 211 |
| 1964 | Tokyo , Japan | Design: Trionfo | Giuseppe Cassioli and Toshikaka Koshiba | Japan Mint | 60 | 7.5 | 062 |
| 1968 | Mexico City , Mexico | Design: Trionfo | Giuseppe Cassioli | 60 | 6 | 130 | |
| 1972 | Munich , West Germany | Obverse: Trionfo Reverse: Castor and Pollux , twin sons of Zeus and Leda Edge: Winner’s name and sport | Giuseppe Cassioli (obverse) Gerhard Marcks (reverse) | Bavarian Mint | 66 | 6.5 | 102 |
| 1976 | Montreal , Quebec, Canada | Obverse: Trionfo Reverse: A stylised laurel crown and the Montreal Games logo Edge: Name of the sport | Giuseppe Cassioli (obverse) | Royal Canadian Mint | 60 | 5.8 | 154 |
| 1980 | Moscow , Russia | Obverse: Trionfo Reverse: A stylised Olympic flame and the Moscow Games logo | Giuseppe Cassioli (obverse) Ilya Postol (reverse) | Moscow Mint | 60 | 6.8 | 125 |
| 1984 | Los Angeles , California, U.S. | Obverse: Trionfo Reverse: An Olympic champion held aloft by a crowd Note: The reverse returns to the Cassioli design | Giuseppe Cassioli | Jostens, Inc | 60 | 7.9 | 141 |
| 1988 | Seoul , South Korea | Obverse: Trionfo Reverse: An outline of a dove carrying a laurel branch and the Seoul Olympic logo | Giuseppe Cassioli (obverse) | Korea Minting and Security Printing Corporation | 60 | 7 | 152 |
| 1992 | Barcelona , Spain | Obverse: Updated interpretation of Trionfo Reverse: Barcelona Games logo | Xavier Corbero | Royal Mint of Spain | 70 | 9.8 | 231 |
| 1996 | Atlanta , U.S. | Obverse: Updated interpretation of Trionfo Reverse: A stylised olive branch, the Atlanta Games logo, and “Centennial Olympic Games” Edge: “Atlanta Committee for the Olympic Games” | Malcolm Grear Designers | Reed & Barton | 70 | 5 | 181 |
| 2000 | Sydney , Australia | Obverse: Updated interpretation of Trionfo Reverse: The Sydney Opera House , Olympic Flame , and Olympic rings Edge: Event name | Wojciech Pietranik | Royal Australian Mint | 68 | 5 | 180 |
| 2004 | Athens , Greece | Obverse: Nike of Paionios
with Panathenaic Stadium
and the Acropolis of Athens
in the background Reverse: The Olympic Flame , the opening lines of Pindar ’s Eighth Olympic Ode , and the Athens Games logo | Elena Votsi | Efsimon | 60 | 5 | 135 |
| 2008 | Beijing , China | Obverse: Nike with Panathenaic Stadium and the Acropolis of Athens in the background Reverse: A jade ring with the Beijing Games logo in the centre and the event details on the outer edge | Xiao Yong [32] | China Banknote Printing and Minting Corporation | 70 | 6 | 200 |
| 2012 | London , United Kingdom | Obverse: Nike with Panathenaic Stadium and the Acropolis of Athens in the background Reverse: The River Thames and the London Games logo with angled lines in the background | David Watkins | Royal Mint | 85 | 8–10 | 357–412 [33] |
| 2016 | Rio de Janeiro , Brazil | Obverse: Nike with Panathenaic Stadium and the Acropolis of Athens in the background Reverse: The Rio 2016 logo and name, surrounded by a laurel leaf design in the form of the wreaths Edge: The name of the event for which the medal was won is engraved by laser along the outside edge. Note: For the first time, the medals are slightly thicker at their central point compared with their edges. [34] | Chelles and Hayashi | Casa da Moeda do Brasil | 85 | 6–11 [35] | 500 [36] |
| 2020 | Tokyo , Japan | Obverse: Nike with Panathenaic Stadium and the Acropolis of Athens in the background Reverse: The Tokyo 2020 logo and name, surrounded by rays of sun. | Junichi Kawanishi [37] | Japan Mint [38] | 85 | 7.7–12.1 | 450–556 |
| 2024 | Paris , France | Obverse: Nike with Panathenaic Stadium, the Acropolis of Athens, and the Eiffel Tower
in the background, surrounded by rays Reverse: Hexagonal tokens of iron taken from the original construction of the Eiffel Tower engraved with the Paris 2024 logo, surrounded by rays | Chaumet [39] | Monnaie de Paris [40] | 85 | 9.2 | 455–529 |
Winter Olympic Medal Designs
Detailed information regarding the medals from each of the Winter Olympic Games: [6] [41]
| Games | Host | Details | Designer(s) | Mint [17] | Diameter (mm) | Thickness (mm) | Weight (g) |
|---|---|---|---|---|---|---|---|
| 1924 | Chamonix , France | Obverse: A skier holding skates and skis and the designer’s name Reverse: Written information about the Games | Raoul Bénard | Monnaire de Paris | 055 | 04 | 075 |
| 1928 | St. Moritz , Switzerland | Obverse: A skater surrounded by snowflakes Reverse: Olive branches and host details | Arnold Hunerwadel | Huguenin Frères | 050.4 | 03 | 051 |
| 1932 | Lake Placid , U.S. | Obverse: Nike with the Adirondack Mountains
in the background Reverse: Laurel leaves and written host details Shape: Circular but not with a straight edge | Robbins Company | 055 | 03 | 051 | |
| 1936 | Garmisch-Partenkirchen , Germany | Obverse: Nike atop a horse-drawn chariot traversing an arch over winter sporting equipment Reverse: Large Olympic rings | Richard Klein | Deschler & Sohn | 100 | 04 | 324 |
| 1948 | St. Moritz , Switzerland | Obverse: The Olympic torch with snowflakes in the background and the Olympic motto Citius, Altius, Fortius Reverse: A snowflake and written host details | Paul Andre Droz | Huguenin Frères | 060.2 | 03.8 | 103 |
| 1952 | Oslo , Norway | Obverse: The Olympic torch and the Olympic motto Citius, Altius, Fortius Reverse: A pictogram of Oslo City Hall with three snowflakes and written host details | Vasos Falireus and Knut Yvan | Th. Marthinsen | 070 | 03 | 137.5 |
| 1956 | Cortina d’Ampezzo , Italy | Obverse: An “ideal woman” and written host details Reverse: A large snowflake with Pomagagnon in the background, the Olympic motto Citius, Altius, Fortius, and further host details | Costanttino Affer | Lorioli Bros. | 060.2 | 03 | 120.5 |
| 1960 | Squaw Valley , U.S. | Obverse: The head of a male and female with host details written around them Reverse: Large Olympic rings, the Olympic motto Citius, Altius, Fortius, and the name of the sport | Herff Jones | Herff Jones Company | 055.3 | 04.3 | 095 |
| 1964 | Innsbruck , Austria | Obverse: Torlauf Mountains, “Innsbruck 1964”, and “Torlauf” Reverse: The Olympic rings above the emblem of Innsbruck with host details around them | Martha Coufal (obverse) Arthur Zegler (reverse) | Austrian Mint | 072 | 04 | 110 |
| 1968 | Grenoble , France | Obverse: Three snowflakes and the red rose emblem of Grenoble surrounded by host details Reverse: A stylised image of each sport | Roger Excoffon | Monnaire de Paris | 061 | 03.3 | 124 |
| 1972 | Sapporo , Japan | Obverse: Pictogram of lines in the snow Reverse: A snowflake, the Sun, and the Olympic rings Shape: Square with rounded, wavy lines | Yagi Kazumi (obverse) Ikko Tanaka (reverse) | Mint Bureau of the Finance Ministry | 057.3 x 61.3 | 05 | 130 |
| 1976 | Innsbruck , Austria | Obverse: The Olympic rings above the emblem of Innsbruck with host details around them Reverse: The Alps , Bergisel , and the Olympic flame | Martha Coufal (obverse) Arthur Zegler (reverse) | Austrian Mint | 070 | 05.4 | 164 |
| 1980 | Lake Placid , U.S. | Obverse: The Olympic torch held in front of the Adirondack Mountains Reverse: A pine cone sprig and the Lake Placid logo | Gladys Gunzer | Medallic Art Company | 081 | 06.1 | 205 |
| 1984 | Sarajevo , Yugoslavia | Obverse: Event logo with host details surrounding it Reverse: An athlete’s head wearing a laurel crown Shape: Circular but set in a large rounded rectangular shape | Nebojša Mitrić | Zlatara Majdanpek and Zavod za izradu novčanica | 71.1 x 65.1 | 03.1 | 164 |
| 1988 | Calgary , Alberta, Canada | Obverse: Event pictogram with host details surrounding it Reverse: Two people, one wearing a laurel and the other wearing a headdress made up of winter sports equipment | Fridrich Peter | Jostens | 069 | 05 | 193 |
| 1992 | Albertville , France | Obverse: Glass set into the metal, showing the Olympic rings in front of mountains Reverse: Rear side of glass section | René Lalique | René Lalique | 092 | 09.1 | 169 |
| 1994 | Lillehammer , Norway | Sparagmite partially covered in gold, one side showing the Olympic rings and host details, the other depicting the sport in which the medal was won and the Games emblem | Ingjerd Hanevold | Th. Marthinsen | 080 | 08.5 | 131 |
| 1998 | Nagano , Japan | Obverse: Partly lacquered
, shows the Games emblem Reverse: Mainly lacquer, containing the Games emblem over the Shinshu mountains | Takeshi Ito | Kiso Kurashi Craft Center | 080 | 08 | 261 |
| 2002 | Salt Lake City , U.S. | Obverse: An athlete carrying the Olympic torch steps out of flames Reverse: Nike holding a victory leaf surrounded by event details Shape: Irregular circle, like the rocks in Utah ’s rivers | Scott Given, Axiom Design | O.C. Tanner | 085 | 10 | 567 |
| 2006 | Turin , Italy | Obverse: Graphic elements of the Games Reverse: Pictogram of the specific event Edge: words “XX Olympic Winter Games” in Italian, English, and French Shape: Circular with a hole representing a piazza | Dario Quatrini | Ottaviani | 107 | 10 | 469 |
| 2010 | Vancouver , British Columbia, Canada | Obverse: An individually cropped section of a large First Nations
artwork (orca or raven), making each medal unique Reverse: Emblem of the Games and event details Shape: Circular but with undulations stopping it from being flat | Corrine Hunt and Omer Arbel | Royal Canadian Mint | 100 | 06 | 500–576 |
| 2014 | Sochi , Russian Federation | Obverse: “Patchwork quilt” design representing different regions of Russia Reverse: Name of the competition in English and the Sochi logo Edge: words “XXII Olympic Winter Games” in Russian, English, and French Shape: Circular | ADAMAS | ADAMAS [42] | 100 | 10 | 460, 525, 531 |
| 2018 | Pyeongchang County , South Korea | Obverse: Abstract design resembling ripples in a field of snow Reverse: Hangul messages “symbolising the effort of athletes from around the world” [43] Edge: words “Olympic Winter Games Pyeongchang 2018” in Korean (stylized) and English | Lee Suk-woo | 92.5 | 586, 580, 493 | ||
| 2022 | Beijing , China | Obverse: The same design used in the 2008 Summer Olympics
as the Olympic Rings and “XXIV Olympic Winter Games Beijing 2022” surrounded by traditional Chinese art of stars and clouds inside concentric circles Reverse: The same design used in the 2008 Summer Olympics , a stylized depiction of the Solar System around the logo, marking the Games coinciding with Chinese New Year festivities [44] | Hang Hai |
Participation Medals
Since the inception of the modern Olympics, athletes, their support staff, event officials, and select volunteers involved in the organization and management of the Games have been presented with commemorative medals and diplomas. These participation awards, much like the medals for winners, are distinct for each Olympic Festival, with separate designs issued for the summer and winter editions of the Games. [45] The 1964 Summer Olympic Games competitor medal, awarded to Irish yachtsman Eddie Kelliher , exemplifies these participation awards.
Gallery
- Reverse of the plaque from the 1900 Olympic Games in France
- James Graves wearing a bronze medal at the 2000 Summer Olympics, the last version of the Trionfo design.
- Vincent Hancock with his gold medal at the 2012 Summer Olympics , which was the heaviest Summer Olympics medal prior to the 2016 Rio Olympics [46].
Presentation
Jim Thorpe receives his medal at the 1912 Summer Olympics .
The ceremony for presenting medals and awards varied significantly until the 1932 Summer Olympics in Los Angeles established the practice that has largely become standard. Prior to 1932, all medals were awarded during the closing ceremony, and for the initial Games, athletes were required to wear evening dress . Initially, the presenting dignitary remained stationary while the athletes proceeded past to receive their medals. The victory podium was introduced following a personal instruction in 1931 by Henri de Baillet-Latour , who had observed its use at the 1930 British Empire Games . [47] The winner’s position is in the center, at a higher elevation, with the silver medalist to their right and the bronze medalist to their left. [47] At the 1932 Winter Olympics , medals were presented during the closing ceremony, with athletes from each event taking turns to ascend the first-ever podium. During the 1960 Summer Olympics, competitors in the Stadio Olimpico received their medals immediately after their respective events concluded, a first for the Games. Competitors at other venues were brought to the Stadio Olimpico the following day to receive their awards. [17] [47] Subsequent Games have featured a victory podium at each competition venue.
The 1960 Summer Olympics in Rome , Italy, marked the first occasion where medals were placed around the neck of the athletes. These medals were hung from a chain of laurel leaves, whereas current medals are suspended from a colored ribbon. [30] When Athens hosted the 2004 Summer Olympics, the athletes on the podium also received a crown of olive leaves. At the 2016 Summer Olympics in Rio de Janeiro , each medalist was presented with a wooden statuette representing the Olympic logo. [48]
It has become customary for many medal presentations at the Winter Olympics to occur in a separate ceremony, typically held on the evening of the competition or the following evening. The 2002 Winter Olympics in Salt Lake City saw the popularization of the “medals plaza.” This venue provided a centralized location for the public to witness medal presentations that might otherwise have taken place at remote, low-capacity, or high-altitude venues. It also served as a focal point for evening entertainment, often featuring musical performances. [ citation needed ]
See also
- Olympics portal
- Lists of Olympic medalists
- Olympic Cup
- Olympic diploma
- Olympic Diploma of Merit
- Olympic Laurel
- Olympic Order
- Summer Olympic coins
- Winter Olympic coins
- James Brendan Connolly , recipient of the first winner’s medal
- Pierre de Coubertin Medal , a special medal awarded by the International Olympic Committee for sportsmanship or exceptional service to the Olympic movement