QUICK FACTS
Created Jan 0001
Status Verified Sarcastic
Type Existential Dread
tell 'uquair, tell aqair, tell, babylon, kish, kutha, baghdad, babil governorate, iraq, ubaid period

Tell Uqair

“(Tell 'Uquair), Tell Aqair)) is not merely another tell), or settlement mound, lost to the relentless sands of time. This particular accumulation of ancient...”

Contents
  • 1. Overview
  • 2. Etymology
  • 3. Cultural Impact

Tell Uqair

(Tell ‘Uquair , Tell Aqair ) is not merely another tell , or settlement mound, lost to the relentless sands of time. This particular accumulation of ancient human habitation lies pointedly northeast of the once-grand Babylon , approximately 25 kilometers (about 15.5 miles) north-northeast of the enduringly significant ancient city of Kish . Positioned just north of the ancient city of Kutha , and roughly 50 miles (80 km) south of modern Baghdad within the contemporary Babil Governorate of Iraq , Tell Uqair marks a specific, if somewhat unremarkable, point on the map of human endeavor. Its archaeological record indicates a prolonged, if not always thriving, occupation through the critical formative periods of Mesopotamian civilization: primarily the Ubaid period (spanning roughly 5500–3700 BC) and the subsequent Uruk period (approximately 4000–3100 BC). Intriguingly, it has been put forth, with varying degrees of academic conviction, as the potential site of the 3rd millennium BC city known as Urum.

Archaeology

Tell Uqair presents itself as a relatively modest mound, situated conveniently just north of, and indeed, within direct line of sight of, Tell Ibrahim – a considerably larger and more imposing mound that unequivocally marks the ancient site of Kutha . Its geographical placement, roughly halfway between the two life-giving arteries of the Tigris and Euphrates rivers, suggests a strategic, if not entirely prosperous, location in ancient Mesopotamia .

The topography of Tell Uqair itself is rather unassuming, consisting of two contiguous mounds, designated as Mound B (to the north) and Mound A (to the south). These two distinct rises are separated by what appears to be the long-eroded bed of an ancient canal, a testament to the ever-shifting waterways and human attempts to harness them. At their maximum elevation, these hills rise a mere 6 meters (about 20 feet) above the surrounding terrain line, save for a singular, slightly more pronounced 10-meter (about 33-foot) prominence on the western extremity of Mound A. This modest height, however, belies the significant loss of historical layers; many occupation levels, with their invaluable stories, have been irrevocably eroded from the tops of these mounds by millennia of exposure to the elements. The entire site, in its current state, encompasses a total area of approximately 6 hectares (roughly 14.8 acres), a compact footprint for what was once a living, breathing urban center.

One of these mounds, specifically Mound A, yielded the remains of a significant Protoliterate temple structure, resting upon a D-shaped platform that descended 5 meters (about 16.4 feet) into the earth. This substantial base was, in turn, topped by a smaller, rectangular platform, a mere 1.6 meters (approximately 5.2 feet) deep, indicating a tiered architectural approach. The other mound, Mound B, held the more somber remains of an Early Dynastic III cemetery. Access to the lower platform of the temple mound was facilitated by two stairways, positioned on opposing sides, while a single, central stairway, halfway between the others, ascended to the upper platform. The temple mound (Mound A) itself revealed no less than seven distinct occupation levels, each a stratified slice of time. The earliest buildings, dating from the earlier Ubaid period , were constructed from pisé , a humble but effective rammed earth technique. In contrast, the later structures of the Uruk period showcased the advancement to rectangular mudbricks, indicating evolving construction methods. A curious, and perhaps telling, shift occurred after the Ubaid period : only the temple complex and the southern half of Mound A continued to be actively occupied, suggesting a contraction of the settlement or a shift in its primary function. [1]

Beveled Rim Bowls

Among the more ubiquitous, and frankly, less exciting, archaeological finds within the temple precincts were numerous beveled rim bowls . These simple, mass-produced vessels, so characteristic of the Uruk period , serve as a stark reminder that even in ancient times, efficiency and standardization were paramount, perhaps even for the distribution of rations. [2]

The excavations at Tell Uqair were conducted under rather extraordinary circumstances. Several soundings were undertaken during the tumultuous years of World War II, specifically in 1941 and 1942, by an Iraqi Directorate General of Antiquities team. This endeavor was led by the distinguished archaeologist Seton Lloyd , working in collaboration with Taha Baqir and Fuad Safar. The initial work commenced for a month in 1940, with a more substantial two-month campaign following in 1941. [3] The architectural remains and artifacts unearthed primarily belonged to the Ubaid period , the Uruk period , and the Jemdet Nasr period , providing a continuous, if not always glamorous, narrative of early Mesopotamian life. Among the more significant textual finds were four Proto-Cuneiform tablets, offering tantalizing glimpses into the very dawn of writing.

Beyond the temple, an Early Dynastic cemetery was also meticulously excavated, though it also contained a scattering of later inclusions, suggesting continued, if sporadic, use over time. The graves within this cemetery revealed a diverse array of grave goods, predominantly pottery – a testament to the enduring human habit of burying possessions with the deceased, perhaps hoping to furnish them for an afterlife that rarely delivers on its promises. More remarkably, one particular grave yielded three Gutium seals, while another contained an Akkadian period seal, hinting at broader cultural connections and perhaps even trade. [4] In a rare flourish of ancient vanity, one grave even contained a pair of copper sandals, proving that some individuals, even in death, wished to make a statement. [5] Furthermore, five enigmatic Neolithic clay tokens were discovered, providing insights into early systems of accounting and record-keeping, long before the advent of formal writing. [6] [7]

Further investigations into the site took place much later, in October 1978, when a team from the esteemed Heidelberg University , under the direction of Dr. M. MĂŒller-Karpe, conducted a sounding on Mound B. This work, adjacent to the original 1940 excavation pit, primarily focused on Early Dynastic I/II houses, which were found to be intriguingly cut by later Early Dynastic III graves. This sounding successfully revealed occupation layers extending all the way down to the water table, approximately 3.5 meters (about 11.5 feet) below the current surface level of the tell, demonstrating the considerable depth of human activity at the site. [8]

It is a rather telling detail that while only four Proto-cuneiform tablets were officially found during the controlled excavations at Tell Uqair, a staggering 27 additional tablets, unequivocally attributed to the site, have subsequently surfaced on the antiquities market and been published. This discrepancy, of course, speaks volumes about the unfortunate realities of archaeological discovery and illicit trade. Some of these tablets, in a testament to the timeless nature of human concerns, were prosaically concerned with loans of barley, proving that even nascent civilizations understood the concept of debt. [9] [10] A particularly interesting discovery was a city seal found on one of these tablets, which precisely matched a seal discovered on a tablet at the site of Jemdat Nasr . This congruence has led to the compelling, if speculative, proposal that Tell Uqair may have functioned as part of a larger network, perhaps specifically tasked with providing ritual products or resources to the revered goddess Inana at the monumental city of Uruk , suggesting a complex interconnectedness across early Mesopotamian urban centers. [11]

During the excavations of the 1940s, a deep sounding delving into the older Ubaid period levels yielded a collection of shells. These seemingly mundane remnants of ancient meals proved invaluable for chronological purposes. Subsequent radiocarbon dating, carried out in 1968, provided a calibrated date of 4649 BC, placing this specific stratum firmly in the middle of the Ubaid period . [12]

History

The historical trajectory of Tell Uqair, like so many ancient settlements, followed a predictable arc of rise, prominence, and eventual decline. The site first experienced significant, sustained occupation during the Ubaid period , laying the foundational layers of human presence. It then expanded and reached its zenith in terms of size and influence during the Jemdet Nasr period and the preceding Uruk period , periods of immense cultural and technological innovation in Mesopotamia . However, its story did not end abruptly. The presence of several Early Dynastic graves, alongside a scattering of later Akkadian and Babylonian artifacts, indicates that while the site never regained its former glory, it nonetheless continued to see limited, intermittent use, a faint echo of its past importance, persisting even up through the reign of the formidable Nebuchadnezzar II , centuries after its peak.

The most celebrated discovery at Tell Uqair, a true highlight in its rather understated archaeological record, was the “Painted Temple.” This large and architecturally sophisticated complex bore striking similarities in its design to the renowned “White Temple” unearthed at Uruk , featuring the characteristic alternating buttresses and recesses that defined monumental religious architecture of the era. The temple was not merely built on raw earth; it was meticulously laid directly onto a platform coated with bitumen, a waterproofing technique demonstrating considerable engineering foresight. In a practice that seems counter-intuitive to modern preservation, this temple was eventually thoroughly cleaned out and intentionally filled with mudbricks, serving as a solid, sacred foundation for a later temple that was constructed atop it. [13] Much like its counterpart at Uruk , the Painted Temple boasted a tripartite plan and incorporated stepped niches adorned with half columns, stylistic elements that underscored its religious significance and architectural sophistication. [14] And, in yet another parallel with the White Temple, this structure too was later deliberately filled in with large rectangular bricks, creating a prepared surface for a subsequent building, which, tragically for posterity, has not survived the ravages of time. [15]

Remarkably, some of the original frescoes, vibrant and illustrative, were still discernible at the time of the excavation in the 1940s, allowing for their careful copying and documentation. Several of these exquisite frescoes were even recovered intact, a rare stroke of luck, and subsequently transported to the Baghdad Museum for preservation and study. The consensus among archaeologists places the dating of this temple to either the late Uruk period or the early Jemdet Nasr period , positioning it firmly within a golden age of Mesopotamian artistic and architectural expression. Adjacent to this grand structure, a smaller temple, dating specifically to the Jemdet Nasr period , was also discovered. Constructed using distinctive Riemchen bricks, this secondary temple was of somewhat later construction and yielded a significant quantity of pottery from that period, further enriching our understanding of the site’s continuous occupation and evolving material culture. [16] [17]

Adding another layer of academic intrigue, it has been put forward, based on the analysis of a specific toponym (ážȘA.ÚR.BAR), that the enigmatic Blau Monuments may have originated from Tell Uqair. [18] These monuments, comprising two small, carved stone objects with inscriptions and reliefs, are among the earliest examples of Mesopotamian relief sculpture and cuneiform writing, making their proposed origin at Uqair a significant, if not yet definitively proven, claim.

Urum

The proposal that Tell Uqair represents the ancient town of Urum stems from a confluence of evidence: the crucial clay tablets discovered at the site, which provide textual clues, and its precise areal location within the broader Mesopotamian landscape. [19] The toponym for Urum itself, as recorded in ancient cuneiform, exhibits a fascinating array of orthographic variations. It appears as ÚR×Ú.KI (cuneiform: 滓𒆠), as URUM 4 = ÚR×ážȘA (cuneiform: hobbies), and also as ÚR×A.ážȘA.KI (cuneiform: çˆ±ć„œđ’† ), all deriving from an earlier, pre-Ur III form, ÚR.A.ážȘA. This linguistic evolution, while seemingly minor, offers insights into the fluid nature of ancient writing systems and the challenges of pinpointing exact place names across millennia. [20]

Historical records firmly establish that during the 3rd millennium BC, Urum held significance as a prominent cult site dedicated to the moon god Nanna , also known as Sin. [21] This religious dedication would have endowed the city with considerable spiritual importance and likely attracted pilgrims and offerings. Furthermore, the geographical placement of Urum is consistently described as being situated between the major urban centers of Kish and Sippar , and more precisely, between Sippar and Kutha . This historical description aligns perfectly with the known location of Tell Uqair, bolstering the argument for its identification as Urum. During the period of the Ur III empire , Urum was administered by an ensi (provincial governor), with one such official identified as Ur-Sin or Ur-Suena, whose tenure is attested in the 43rd and 44th regnal years of the powerful ruler Shulgi . [22] [23]

At this crucial juncture in Mesopotamian history, Urum formed an adjacent province with TiWA or Tiwe, a polity that famously joined the formidable “Great Rebellion” against the mighty Naram-Sin of Akkad (who reigned approximately 2254–2218 BC). [24] This rebellion was a pivotal moment, and a text from Naram-Sin himself vividly recounts the decisive battle that crushed the revolt, stating: “In between the cities of TiWA and Urum, in the field of the god Sin, he drew up (battle lines) and awaited battle.” This passage not only underscores Urum’s strategic location but also its reluctant role in one of the ancient world’s most significant conflicts. [25] Administratively, during the Ur III empire , Urum was recognized as the third most northerly province among the 19 provinces, positioned after Sippar and then Tiwe, indicating its established place within the imperial bureaucracy. [26]

Beyond the veneration of Nanna , the goddess Ningal , consort of Nanna , also maintained a sanctuary at Urum, indicating a broader pantheon of worship within the city. [27] According to the ancient Sumerian Temple Hymns, a collection of religious literature, the primary temple dedicated to Nanna at Urum bore the specific name E-Ablua, offering a glimpse into the liturgical identity of the city’s sacred spaces. [28]

Further specific individuals associated with Urum during the Ur III period have been identified through textual evidence. Tulid-Ć amĆĄi (whose name translates to “Ć amaĆĄ-gave-(me-)birth”) served as an en-priestess of Nanna at Urum during the reign of the Ur III ruler Shu-Sin (c. 2037–2028 BC), her existence confirmed by the seals of two of her servants. [29] [30] She is also referenced by the more formal title en d EN.ZU, further solidifying her religious authority. [31] During the reign of Amar-Sin (c. 2046–2037 BC), a general named Niridagal was entrusted with the command of the troops from both Urum and Tiwa (A.HA), highlighting the military importance and administrative pairing of these two provinces. [32] A text dating from the reign of Ibbi-Sin (c. 2028–2004 BC), the last ruler of the Ur III empire , makes explicit mention of a significant ritual event: “when the en of Nanna of Urum was installed” (u4 en-dnanna ÚRxÚ.KI-ka ba-hun-gĂĄ), indicating the continued importance of religious appointments and ceremonies in Urum even as the empire faced its twilight. [33]

The narrative of Urum may not end with the Ur III period . It has been compellingly proposed that in the subsequent Old Babylonian period, the city of Urum underwent a name change, becoming known as Elip. This city of Elip is notably documented in the “year names” of various Babylonian rulers, which served as a chronological system by naming each year after a significant event. For instance, Sumu-abum’s year 2 is recorded as “Year the city wall of Elip was seized,” pointing to a military event. Apil-Sin’s year 9 commemorates “Year the temple of Inanna in Elip was built,” indicating religious patronage. And perhaps most famously, Hammu-rabi’s year 17 notes the “Year in which Hammu-rabi the king elevated a statue for Inanna of Elip,” demonstrating the city’s continued religious significance under one of Mesopotamia’s most powerful rulers. Furthermore, Elip is identified as the capital of the still somewhat obscure Manana Dynasty , a ruling house that held sway over the important city of Kish for a period, suggesting that Tell Uqair/Urum/Elip maintained a degree of regional importance through various historical epochs. [34] [35]

See also

References

  • ^ Lloyd, Seton, “Ur—Al ‘Ubaid,‘Uqair and Eridu: An Interpretation of Some Evidence from The Flood-Pit”, Iraq 22.1-2, pp. 23-31, 1960
  • ^ Beale, Thomas Wight, “Bevelled Rim Bowls and Their Implications for Change and Economic Organization in the Later Fourth Millennium B. C.”, Journal of Near Eastern Studies, vol. 37, no. 4, 1978, pp. 289–313, 1978
  • ^ Seton Lloyd and F. Safar, “Tell Uqair: Excavations by the Iraq Government Directorate General of Antiquities in 1940 and 1941”, Journal of Near Eastern Studies, v. 2, no. 2, April, pp 131-58, 1943
  • ^ [1]J. Moon, “The Distribution of Upright-handled Jars and Stemmed Dishes in the ED. Period”, Iraq 44, pp. 39–69, 1982
  • ^ Moorey, P. R. S., “The Archaeological Evidence for Metallurgy and Related Technologies in Mesopotamia, c. 5500-2100 B.C”, Iraq, vol. 44, no. 1, pp. 13–38, 1982
  • ^ Schmandt-Besserat, Denise. Before writing: From counting to cuneiform , Vol. II, University of Texas Press, 1992
  • ^ Overmann, Karenleigh A., The Material Origin of Numbers: Insights from the Archaeology of the Ancient Near East , Piscataway, NJ, USA: Gorgias Press, Table 9.2, pp. 169-170, 2019
  • ^ “Excavations in Iraq, 1977-78”, Iraq, vol. 41, no. 2, pp. 141–81, 1979
  • ^ Monaco, Salvatore F., “Loan and Interest in the Archaic Texts” Zeitschrift fĂŒr Assyriologie und Vorderasiatische ArchĂ€ologie, vol. 102, no. 2, pp. 165-178, 2013
  • ^ Robert K. Englund and Roger J. Matthews, “proto-cuneiform Texts from Diverse Collections”, Materialien zu den frĂŒhen Schriftzeugnissen des Vorderen Orients Bd. 4. Berlin: Gebr. Mann, 1996 ISBN   978-3786118756
  • ^ Steinkeller, Piotr, “Archaic City Seals and the Question of Early Babylonian Unity”, Riches Hidden in Secret Places: Ancient Near Eastern Studies in Memory of Thorkild Jacobsen, edited by Tzvi Abusch, University Park, USA: Penn State University Press, pp. 249-258, 2002
  • ^ Lawn, Barbara, “University of Pennsylvania radiocarbon dates XV”, Radiocarbon 15.2, pp. 367-381, 1973
  • ^ Abid, Ameer Najim, “The architecture of white temples in the cities of ancient central and southern Mesopotamia (Uruk-Umm Al-Aqarib-Tal Al-Uqair) A comparative study”, ISIN Journal 5, pp. 53-79, 2023
  • ^ Ɓawecka, Dorota, “Bent or Straight Axis? Temple Plans in Early Dynastic Southern Babylonia”, Zeitschrift fĂŒr Assyriologie und vorderasiatische ArchĂ€ologie, vol. 104, no. 2, pp. 206-228, 2014
  • ^ [2]Ann Louise Perkins, “The Comparative Archeology of Early Mesopotamia”, Studies in Ancient Oriental Civilization 25, Chicago: The University of Chicago Press, 1949
  • ^ Dermech, S., “The Tell’Uqair temple (4th mill. BC): colours and iconography”, in BAF-Online: Proceedings of the Berner Altorientalisches Forum (Vol. 1), 2016
  • ^ Lloyd, S, “Recent Discoveries of the Iraq Directorate of Antiquities”, Palestine Exploration Quarterly 75(2), pp. 105-109, 1943
  • ^ Balke, Thomas E., “The Interplay of Material, Text, and Iconography in Some of the Oldest “Legal” Documents”, Materiality of Writing in Early Mesopotamia, edited by Thomas E. Balke and Christina Tsouparopoulou, Berlin, Boston: De Gruyter, 2016, pp. 73-94, 2016
  • ^ Robert K. Englund, “Proto-Cuneiform Texts from Diverse Collections”, (Materialien Zu Den Fruhen Schriftzeugnissen Des Vorderen Ori), Gebr. Mann Verlag, 1996,
  • ISBN   3-7861-1875-2
  • ^ Piotr Steinkeller, “On the Reading and Location of the Toponyms ÚR×Ú.KI and A.ážȘA.KI”, Journal of Cuneiform Studies, Vol. 32, No. 1, pp. 23–33, Jan. 1980
  • ^ Yuhong, Wu, and Stephanie Dalley, “The Origins of the Manana Dynasty at Kish, and the Assyrian King List”, Iraq, vol. 52, pp. 159–65, 1990
  • ^ Sharlach, Tonia. “Princely Employments in the Reign of Shulgi”, Journal of Ancient Near Eastern History, vol. 9, no. 1, pp. 1-68, 2022
  • ^ Sallaberger, W., “Ur III-Zeit”, in Mesopotamien: Akkade-Zeit und Ur III-Zeit, OBO 160/3, edited by W. Sallaberger, and A. Westenholz, Freiburg: UniversitĂ€tsverlag, pp. 121–390, 1999
  • ^ Steinkeller, Piotr. “Two Sargonic Seals from Urusagrig and the Question of Urusagrig’s Location” Zeitschrift fĂŒr Assyriologie und vorderasiatische ArchĂ€ologie, vol. 112, no. 1, 2022, pp. 1-10
  • ^ [3]Douglas R. Frayne, “Akkad”, The Sargonic and Gutian Periods (2334–2113), University of Toronto Press, pp. 5-218, 1993
  • ISBN   0-8020-0593-4
  • ^ Sharlach, Tonia, “Provincial Taxation and the Ur III State” CM 26. Leiden: Brill, 2004
  • ^ Frayne, Douglas R. and Stuckey, Johanna H., “N”, A Handbook of Gods and Goddesses of the Ancient Near East: Three Thousand Deities of Anatolia, Syria, Israel, Sumer, Babylonia, Assyria, and Elam, University Park, USA: Penn State University Press, pp. 219-287, 2021
  • ^ Helle, Sophus, “The Temple Hymns”, Enheduana: The Complete Poems of the World’s First Author, New Haven: Yale University Press, pp. 53-94, 2023
  • ^ Frayne, Douglas, “Ć ulgi”, Ur III Period (2112-2004 BC), Toronto: University of Toronto Press, pp. 91-234, 1997
  • ^ Michalowski, Piotr, “Of Bears and Men: Thoughts on the End of Ć ulgi’s Reign and on the Ensuing Succession”, Literature as Politics, Politics as Literature: Essays on the Ancient Near East in Honor of Peter Machinist, edited by David S. Vanderhooft and Abraham Winitzer, University Park, USA: Penn State University Press, pp. 285-320, 2013
  • ^ Stol, Marten, “Priestesses”, Women in the Ancient Near East, Berlin, Boston: De Gruyter, pp. 555-583, 2016
  • ^ Steinkeller, Piotr, “CorvĂ©e Labor in Ur III Times”, From the 21st Century B.C. to the 21st Century A.D.: Proceedings of the International Conference on Neo-Sumerian Studies Held in Madrid, 22–24 July 2010, edited by Steven J. Garfinkle and Manuel Molina, University Park, USA: Penn State University Press, pp. 347-424, 2013
  • ^ Frayne, Douglas, “Ibbi-Sin”, Ur III Period (2112-2004 BC), Toronto: University of Toronto Press, pp. 361-392, 1997
  • ^ Charpin, D., “Recherches sur la “dynastie de Mananñ”: Essai de localisation et de chronologie”, RA 72, pp. 13–40, 1978
  • ^ de Boer, Rients, “Two early Old Babylonian “MananĂą” archives dated to the last years of Sumu-la-El”, Revue d’Assyriologie et d’archĂ©ologie Orientale, vol. 111, pp. 25–64, 2017

Further reading

  • Gilbert J. P. McEwan, “The Writing of Urum in Pre-Ur III Sources”, Journal of Cuneiform Studies, Vol. 33, No. 1, pp. 56, Jan. 1981
  • M. W. Green, “Urum and Uqair”, Acta Sumerologica, vol. 8, pp.77–83, 1986
  • Seton Lloyd, “Ur-Al `Ubaid, Uquair and Eridu, in Ur in Retrospect: In Memory of Sir Leonard Woolley”, Iraq, vol. 22, pp. 23–31, 1960

External links

  • Legrain, Leon. “Tell ‘Uqair “Painted Temple”.” Museum Bulletin X, no. 3-4 (June, 1944): pp. 39-39
  • Digitized tablets from (and thought to be from) Tell Uqair at CDLI

Authority control databases : Geographic